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Ðau
Go Cave
 The
grotto is on Driftwood Island. Seen from afar, the entrance to
the grotto appears to be blue, and has a shape similar to that
of a jellyfish. After 90 steps up the island, the entrance is
reached. The ceiling of the grotto is about 25 m. Hundreds of
stalactites falling down from the roof of the grotto look like
a waterfall.
The grotto is divided into three main parts.
The exterior is a room with a vault full of natural light. Many
forms may be seen in the rock formations of the chamber, depending
on the imagination of the visitor of course.
Crossing the first chamber, one enters the second chamber through
a narrow passage. The light here is mysterious, and new images
appear in the stone. It makes us having a fear and be inquisitive.
The third chamber of the grotto is widely opened. At the end of
the grotto is a well of clear water. Looking up in the dim light
we recognize that surrounded is the image of an ancient citadel
and a scuffle of elephants, horses, man with bristly sword and
spear. All are making a rush and be petrified suddenly.
The name Driftwood
Grotto came from a popular story of the resistance war against
the Yuan - Mongolian aggressors. In a decisive battle, Trân
Hung Ðao was given the order to prepare many ironwood stakes
here, to be planted on the riverbed of Bach Ðang River. The
remaining wooden pieces found in the grotto have given it its
present name.
And the name Giâu Gô is associated with the legend
that General Trân Hung Ðao (1226-1300) hid ironwood
stakes in preparation for the Bach Ðang battle against the
Yuan-Mongolian invaders.
If the Thiên Cung Grotto is monumental and modern (in its
natural form), then Driftwood Grotto is solemn, but also grandiose.
In "Marvels of the World," published in France in 1938,
the author called the grotto "Grotte des merveilles"
(a site of many marvels)
In the first chamber, in the very middle of the grotto, is a colossal
pillar supporting the large vault. On the top of the pillar, there
appears to be a monk draped in a long, dark cloak, with his right
hand clasping a cane.
The second chamber is narrow. Here, the stalactites look smaller
but more graceful. One feels like going to a pagoda with a monk
in meditation so that one steps more gently.
The third chamber features high stone columns out of which nature
has carved images of a large kingdom, of heroes and soldiers holding
swords and spears rushing up, of war elephants and horses or lions,
etc. All of them suddenly was petrified and remained there for
good.
In 1917, Emperor Khai Ðinh came to visit the grotto, and amazed
by the beauty of the place, ordered the erection of an engraved
stone stele singing the praises of Ha Long Bay and the grotto.
Today, it remains to the right-hand side of the entrance.
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